Installation View

2014

Installation View


Back Masking (Get High Get Stabbed)

2014
steel
72 in x 19 in x 18 in

Back Masking (Get High Get Stabbed)


Ranging from the smaller neurosis to different psychotic states to various kinds of sociopathic behavior patterns (Sup Dog)

2014
steel with 1Shot
68 in x 17 in x 18 in

Ranging from the smaller neurosis to different psychotic states to various   kinds of sociopathic behavior patterns (Sup Dog)


Free Zone Space Opera (I’m a snake on the ground)

2014
steel with 1Shot
61 in x 19 in x 12 in

Free Zone Space Opera (I’m a snake on the ground)


Break My Fall (Symptoms)

2014
steel with 1Shot
27 in x 16 in x 11 in

Break My Fall (Symptoms)


Rolling Out (Shit Bird Deluxe)

2014
steel with 1Shot
25 in x 12.5 in x 9.5 in

Rolling Out (Shit Bird Deluxe)


Jesus Christ, I was only shaking.

2014
steel with 1Shot
38 in x 12 in x 11 in

Jesus Christ, I was only shaking.


Yes, Vol. 4 is a great album, but listening to it now, I can see it as a turning point for me, where the alcohol and drugs stopped being fun.

2014
steel
90 in x 22 in x 17 in

Yes, Vol. 4 is a great album, but listening to it now, I can see it as a turning point for me, where the alcohol and drugs stopped being fun.


Nag Champa Flash Flood

2014
steel
52 in x 23 in x 14 in

Nag Champa Flash Flood


Grateful Dessert Vibe Controller

2014
steel
72 in x 23 in x 24 in

Grateful Dessert Vibe Controller


At A Cheval, Entre Design Graphique et Art Contemporain, Espace LVL in Nantes, France (installation view)

2014

At A Cheval, Entre Design Graphique et Art Contemporain, Espace LVL in Nantes, France (installation view)


At A Cheval, Entre Design Graphique et Art Contemporain, Espace LVL in Nantes, France (installation view)

2014

At A Cheval, Entre Design Graphique et Art Contemporain, Espace LVL in Nantes, France (installation view)


Judgment Free Zone 2043

2013
acrylic, spray paint, black mica flake, and wood on masonite panel
48 in x 48 in

Judgment Free Zone 2043


Salad Days Days

2013
acrylic, spray paint, krink, and pencil on wood panel
60 in x 60 in

Salad Days Days


Intrusive Thoughts: Don’t Fade on Me

2013
acrylic, spray paint, krink, and black mica flake on wood panel
30 in x 30 in

Intrusive Thoughts: Don’t Fade on Me


I Got High and Never Got Back (Revisited)

2013
acrylic and elmers glue on wood panel
24 in x 24 in

I Got High and Never Got Back (Revisited)


I Will Try Not to Let You Down

2013
acrylic, spray paint, wood, and black mica flake on wood panel
24 in x 24 in

I Will Try Not to Let You Down


Mystery of Dub (Chopped and Screwed)

2013
acrylic, black mica flake, and wood on wood panel
18 in x 18 in

Mystery of Dub (Chopped and Screwed)


Intrusive Thoughts: Hang Gold Chains from the Bottom of it

2013
spray paint and krink on wood panel
36 in x 36 in

Intrusive Thoughts: Hang Gold Chains from the Bottom of it


Transparent Radiation Redux (C & S)

2011 - 2013
wood, acrylic, and spray paint on wood panel
26 in x 26 in

Transparent Radiation Redux (C & S)


Future/Memory (installation view)

2012

Festspielhaus Hellerau at Hellerau, Dresden, Germany

Future/Memory (installation view)


Future/Memory (installation view)

2012

Festspielhaus Hellerau at Hellerau, Dresden, Germany

Future/Memory (installation view)


Flee This Fucking City

2011
neon
22 in x 20 in

Flee This Fucking City


They Both Ride Horses (Installation View)

2011
wood, acrylic and inkjet prints

They Both Ride Horses (Installation View)


They Both Ride Horses (Installation View)

2011
wood, acrylic and inkjet prints

They Both Ride Horses (Installation View)


Searching a Strangers House for Drugs

2011
wood
46 in x 27 in x 6 in

Searching a Strangers House for Drugs


Modern Drugs

2011
wood
37 in x 13.5 in x 8 in

Modern Drugs


Ghost Skank

2011
wood
29 in x 18 in x 5 in

Ghost Skank


Though some may condemn his unabashed realism, it is agonizingly clear that the parties, the uncontrolled drinking, and the wild love making are but frantic cover-ups for the unspoken, unreachable terrors that haunt these random unloved men and women who

2009
pencil and acrylic on wood panel
36 in x 36 in

Though some may condemn his unabashed realism, it is agonizingly clear that the parties, the uncontrolled drinking, and the wild love making are but frantic cover-ups for the unspoken, unreachable terrors that haunt these random unloved men and women who


Ultraworld Redux Weed World 1986 Today

2009
ink and acrylic on wood panel
36 in x 36 in

Ultraworld Redux Weed World 1986 Today


It's Lonely Out in Space

2009
ink and acrylic on wood panel
30 in x 30 in

It's Lonely Out in Space


We Could Have Got Fucked up Together

2009
pencil and acrylic on wood panel
24 in x 24 in

We Could Have Got Fucked up Together


Spacetime Krink #1

2009
krink on wood panel
24 in x 24 in

Spacetime Krink #1


Spacetime Thick #2

2009
acrylic on wood panel
24 in x 24 in

Spacetime Thick #2


Spacetime Krink #2

2009
krink on wood panel
24 in x 24 in

Spacetime Krink #2


Untitled (Teardrops)

2009
ink on paper
11 in x 8 in framed

Untitled (Teardrops)


Untitled (Soft Explosion)

2009
ink on paper
11" x 8" framed

Untitled (Soft Explosion)


Untitled (Part II)

2009
ink on paper
11 in x 8 in framed

Untitled (Part II)


Untitled (Part III)

2009
ink on paper
11 in x 8 in framed

Untitled (Part III)


Untitled (Tower #4)

2009
wood, acrylic, and steel screws
6 in x 6 in x 24 in

Untitled (Tower #4)


Space Time Black

2008
acrylic and pencil on panel
30 in x 30 in

Space Time Black


Nevermind

2008
acrylic, pencil, and collage on panel
20.5 in x 20.5 in

Nevermind


Save My Life (Grouping), 2007

2007
mixed media on paper
dimensions variable

Installation of drawings from Throb Throb: Rock and Roll Currents in Chicago Today, curated by Dominic Molon, for Jil Sander

Save My Life (Grouping), 2007


This Ain't No Bottomless Pit Here, This Is Fucking Magic, Man, And Were All A Part Of It Together

2007
mixed media

Installation view from 2007 exhibition at the Museum of Contemporary Art, Chicago

This Ain't No Bottomless Pit Here, This Is Fucking Magic, Man, And Were All A Part Of It Together


This Ain't No Bottomless Pit Here, This Is Fucking Magic, Man, And Were All A Part Of It Together

2007
mixed media

Installation view from 2007 exhibition at the Museum of Contemporary Art, Chicago, back wall

This Ain't No Bottomless Pit Here, This Is Fucking Magic, Man, And Were All A Part Of It Together


Throb Throb: Rock and Roll Currents in Chicago Today

2007
mixed media

Installation view of Throb Throb: Rock and Roll Currents in Chicago Today, curated by Dominic Molon, for Jil Sander, Chicago

Throb Throb: Rock and Roll Currents in Chicago Today